These facts are neither “family dramas” nor “separation dramas” nor “crimes of passion”, as abusive and invisibly named by the media. They are conjugal femicides, systemic murders.
These poor images, collected newspaper clippings suffer from atrocities similar to those caused to those womxn, and result from a process of deterioration of extreme violence. The preponderant presence of images showing the prior accomplices of these murders; the police and the justice system intervening at the scene of the crimes after the fact, is essential in the message this work conveys. By their movements, the pieces address our situation as spectators, implying a responsibility on our part. Everything therefore happens outside the image.